THE IMPOSSIBLE SERIES
I was born and raised in the countryside and, for sure, nature has had a very strong influence on my practice. I guess a lot my desires - in terms of colours and processes - come from those very first impressions I had as a kid.
The countryside is for me where human presence overlaps onto nature. And when I got older, I started to be attracted to the contrasts inherent in farming and domestic equipment, against the green. It can be summed-up (quickly) as a fight between the geometric and the non rational, or of synthetic colours against natural.
So I am looking for this: the overlaps and impressions.