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Masters of Modernism: Josef and Anni Albers

A new collection of exclusive posters from a Bauhaus powerhouse duo

Wrong Shop is proud to announce an exclusive new series of eight posters celebrating the pioneering work of Bauhaus legends, Josef and Anni Albers. Developed in close collaboration with the Josef & Anni Albers Foundation, this collection unites the legacy of two of the most influential figures in 20th-century Modernism.

Josef and Anni Albers were prolific artists, educators and authors until their deaths, Josef in 1973 aged 88, and Anni in 1994 aged 94. The goal of the Foundation, as established by the Alberses in 1972, is “the revelation and evocation of vision through art.” Based in Connecticut, it continues to look after the Albers's estate with the aim to perpetuate the vision of Anni and Josef Albers through exhibitions, publications, and art education. Learn more about the powerhouse couple in this video with words from the Director of the Josef & Anni Albers Foundation, Nicholas Fox Weber:

 

This collaborative poster series features, exclusively for Wrong Shop includes four posters from Anni Albers, highlighting her late 1960s and early 1970s colour studies for wall hangings, including a wall hanging for the iconic Camino Real Hotel in Mexico City. Josef and Anni took frequent trips to Mexico throughout their lives in America, and they studied the architectural ruins of ancient Mesoamerican civilizations. Her exploration of triangular motifs, repeated across these works, reflects a deep engagement with the tension between order and chaos, as well as an infatuation with Mexican form and culture - she amassed a large collection of pre-Columbian artefacts and textiles. As Anni herself once noted, her geometric forms were inspired by the crystalline structures in nature, where "one impurity" acts as a catalyst for creation.


Josef and Anni Albers in Mexico © 2023 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York
 
Four posters from Josef Albers showcase selections from his seminal Homage to the Square series, begun in 1950 and spanning over two decades. This series, consisting of more than two thousand works, represents Josef's most influential artistic achievement. Each composition features three or four concentric squares of varying hues, arranged with mathematical precision. The four posters from Wrong Shop cover the period from the 1960s to 1970s, a time when Josef Albers was deeply immersed in his groundbreaking exploration of colour interaction—a cornerstone of his colour theory that continues to shape art education today. This period also coincided with the couple’s frequent travels to Mexico. For Josef, the complex abstract vocabulary of pre-Columbian art and architecture embodied many of the principles he and Anni championed in their work and teaching.

Together, these timeless posters celebrate the artistic synergy between Josef and Anni Albers—two Bauhaus powerhouses and lifelong adventurers united by a shared devotion to abstraction. Shop the new collection here.

Main image: Josef and Anni Albers, New Haven, Connecticut, ca. 1965, Photograph by John T. Hill, Courtesy of the Josef and Anni Albers Foundation
Video: Courtesy of the Josef and Anni Albers Foundation and Musée d'Art Moderne de Paris, 2021
Artist and designer Ronan Bouroullec is a powerhouse of design. Notable for his architectural interventions, experimental objects and colourful abstract forms. His work is held in coveted permanent collections and he has collaborated with iconic brands such as Vitra, Hay, Flos, and Kvadrat.
World renowned artist, designer and tech subverter Erwan Bouroullec's work bridges both art and design. His diverse practice explores coding and computer algorithms to create unique digital drawings. His collaborative designs have seen him work with brands such as Vitra, Established & Sons and Kvadrat.
Brothers Ronan and Erwan Bouroullec live and work in Paris. Their oeuvre ranges from small everyday objects to architectural projects, furniture and drawings. For over two decades, the acclaimed duo have co-created iconic designs for major brands and their work is held in some of the world’s most coveted permanent collections.
Amsterdam-based designer and illustrator Rop van Mierlo's peculiar works feature untameable creatures. His signature dreamlike style has seen him collaborate with recognisable brands such as Maison Kitsuné Paris, Moncler and Hermès.
Visual artist Pierre Charpin balances colour, line, form and space in rhythmic, expressive compositions. Explore his minimalist aesthetic, and striking monochromatic prints. Known for his collaborations with recognisable brands such as Hermès, Hay and Saint-Louis Crystal to name a few.
Iconic artist and designer Nathalie Du Pasquier was a founding member of the Memphis group and ever since, she’s been an unstoppable force in shaping the design world as we know it. Her multifaceted practice has seen her work with the likes of American Apparel, Hermès, Bitossi and Mutina.
Gijs Frieling and Job Wouters, known collectively as FreelingWaters, work between illustration, painting, graphic design and furniture design to achieve a colourful and psychedelic aesthetic. Their debut collection premiered at London Design Week and Design Miami/Shanghai in the autumn of 2021 and ever since, they've worked on commissions for Elle Decor and fashion designer Dries van Noten, to art gallery The Future Perfect and more.
Working in the boundaries between art, decoration and design, Jaime Hayon's creations for are full of optimism and show his limitless imagination. ⁠His work can be seen in public spaces and as part of leading hotels worldwide, as well as making creations with brands such as Zara, Swarovski, Cartier, &Tradition and Cassina.
Renowned artist, writer and publisher, Canadian-born Leanne Shapton is now based in NYC. She is Art Editor of The New York Review of Books, and her illustrations have previously explored themes, such as swimming pools, women’s fashion, and floral forms.
George Sowden is a designer living and working in Milan and founding member of the Memphis Group. A designer for Swatch, Alessi, Guzzini, Moulinex and Steelcase among others. In recent years he started his own company, Sowden, and designed and produced a collection of items for Hay.
Philippe Weisbecker's work has been featured in some of the most prestigious publications, including The New York Times, Forbes, GQ and The New Yorker, and he is currently collaborating on inspiring projects with global design brands.
Bold and witty, Richard Woods' work is instantly identifiable. The British artist first gained recognition in the 1990s and is known for creating remarkable installations and sculptures that mimic the aesthetics of traditional architecture.
Part illustration, graffiti and calligraphy, Job Wouters mixes them all together to create powerful and vivid visuals. Over the last decade, he has worked for commissioners such as The New York Times, Süddeutsche Zeitung, Stussy, Nike and Universal.
British designer Bethan Laura Wood's colourful approach has seen her work with a wide range of companies, including Valextra, Kvadrat, CC-Tapis and Dior. Her work has been exhibited in galleries and museums around the world, including the Victoria and Albert Museum, Swiss Institute, Contemporary Art, MOT, Tokyo and the Design Museum, London.
To find a matching Wrong Shop poster simply go to the poster product page and select 'Unframed poster + hanging kit'.
A self-confessed textile nerd, Dutch creative Bertjan Pot is well known for his ropemasks, lighting, baskets, and rugs which reflect his experimental techniques. His colourful signature style has seen him collaborate with iconic brands such as Cassina, Febrik, Moooi and Nike.
Michael Wilkinson's work examines the aesthetics of political and social expression. Inspired by pop culture, art history, and anarchy, Wilkinson consistently revisits moments of resistance, protest and upheaval. Through his meditative, meticulous approach to making, Wilkinson seeks to ‘unbuild’ and reimagine various prescribed readings of history.
Duggie Fields was a consistent figure in London’s LGBTQ art community, alongside Andrew Logan, Derek Jarman, and Divine. His body of work is defined by a signature form of maximalist figuration – marrying imagery from classical and popular culture with art historical references from Surrealism to Modernism.
Kim Fisher works across photography, printmaking and installation, responding to her adopted city of Los Angeles – tracking its culture, weather, and architecture, as well as their disorienting effects. Collage is key part of her process, and she uses sources ranging from her own photographs to clippings from newspapers and magazines.
Sue Tompkins' practice is rooted language – in the formation of words, the use of speech and voice, and various forms of personal expression. Tompkins has explored this territory through live performance, text-based works, sound, installation and paintings. In these, fragments of conversation and everyday phrases are distorted and re-arranged.
Tony Swain alters, merges, and obscures printed pictures with paint, using newspaper imagery as a stimulus for his work – its inclusion a mixture of conscious selection and contingency. His collaging and painting are intuitive, and he creates mythical landscapes, cityscapes, and interiors from his factual sources.
Monika Sosnowska's practice takes inspiration from architectural entropy, rooted in her experience of structural change in various Eastern European cities. The defunct forms of post-industrial buildings have long informed the artist’s warped and distorted sculptures, in particular, her engagement with ideas of collapse – materially and conceptually.
Martin Boyce's poetic installations comprise a vocabulary of images, typography and interconnected forms which emerge across his sculptures, wall paintings, and photography. Collectively, these conjure liminal spaces which explore the aesthetic and political legacy of Modernism, the collapse of nature and culture, and the boundary between the real and fictional.
Lisa Alvarado's practice is rooted in her knowledge of Mexican American textile and mural painting traditions. Alvarado’s free-hanging works are considered orchestrations, exploring visual and sonic resonance, as well as quotidian rhythms – the transition from day to night, the drawing of breath in and out of the body.
Dirk Bell's practice questions our attempts to make sense of the belief systems and structures that control our world. The artist employs a variety of linguistic signs across drawing, painting, and sculpture in his arresting multimedia installations, often reflecting on the relationship between civilisation and human nature.
Amelia Humber lives and works in East London. Although geographically distant from the rural landscapes that fuel her work, Amelia journeys across the UK and absorbs the essence of her surroundings. Her work decompresses the mind, and gives the viewer a space to dream.
Josef Albers (1888-1976) was one of the most pioneering artists of the 20th century. A key Bauhaus figure, he studied and taught there for over a decade. His teachings continue to shape art education, and his revolutionary book 'Interaction of Color' is as relevant today as it was when it was first published in 1963. His 'Homage to the Square' series, begun in 1950 and comprising over two thousand paintings, remains his most influential.
Anni Albers (1899-1994) was one of the most influential textile artists and designers of the 20th century. She started her career at the Bauhaus, where she redefined weaving – combining an ancient craft with the language of modern art. In 1949, she became the first woman and the first textile artist to have a solo exhibition at MoMA. She later explored innovative printmaking, solidifying her legacy as a trailblazer in both mediums.
Martin Parr is one of the best-known documentary photographers and photojournalist of his generation. Known for his satirical and anthropological approach to modern life. A Magnum Photos member since 1994, his work explores global cultural peculiarities with vivid colour and ironic compositions. Themes of leisure, consumption, and communication, run throughout his photos.