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Anni Albers

           “In my own work, and in the things that I admire, I always find that it has to have some kind of almost drawing power, something that gets you back to look at it again and again...” — Anni Albers

Feature 3 image Anni Albers holding her weaving Under Way, New Haven, Connecticut, ca. 1965, Photograph by John T. Hill, Courtesy of the Josef and Anni Albers Foundation

           “In my own work, and in the things that I admire, I always find that it has to have some kind of almost drawing power, something that gets you back to look at it again and again...” — Anni Albers

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Anni Albers was one of the most influential textile artists of the 20th century.

           Anni Albers (1899-1994) began her career at the Bauhaus, where she took up weaving and transformed the medium. She studied, and taught, at the Bauhaus on different types of looms and would eventually direct the weaving workshop. Combining traditional craft with the principles of modern art, she elevated weaving from functional design to an expressive art form.

           In 1933, following the closure of the Bauhaus, Anni and Josef Albers accepted a fortuitous offer to emigrate to the United States and teach at the newly established experimental Black Mountain College. Whilst there she continued to push boundaries, experimenting with materials and techniques. In 1949, she became the first woman and the first textile artist to have a solo exhibition at the Museum of Modern Art in New York.

           Though best known for her pioneering textile work, Anni later shifted focus to printmaking, exploring new methods and ideas, and expanding the possibilities of graphic art. Her innovative use of abstraction, pattern, and texture spanned both mediums, making her a key figure in 20th-century modernism.

           Anni and Josef Albers were passionate teachers, believing that the goal of education is to encourage exploration and experimentation. Her legacy continues to influence contemporary design today, as her work bridges the gap between craft and fine art, and she remains a trailblazer who transformed the perception of textiles and printmaking alike.

Bauhaus
powerhouse

Bauhaus
powerhouse

           Learn about the artistic synergy between Josef and Anni Albers—two Bauhaus powerhouses and lifelong adventurers united by a shared devotion to abstraction. Read more.

Feature 2 image

           Learn about the artistic synergy between Josef and Anni Albers—two Bauhaus powerhouses and lifelong adventurers united by a shared devotion to abstraction. Read more.
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Josef Albers (1888-1976) was one of the most pioneering artists of the 20th century. A key Bauhaus figure, he studied and taught there for over a decade. His teachings continue to shape art education, and his revolutionary book 'Interaction of Color' is as relevant today as it was when it was first published in 1963. His 'Homage to the Square' series, begun in 1950 and comprising over two thousand paintings, remains his most influential.
Anni Albers (1899-1994) was one of the most influential textile artists and designers of the 20th century. She started her career at the Bauhaus, where she redefined weaving – combining an ancient craft with the language of modern art. In 1949, she became the first woman and the first textile artist to have a solo exhibition at MoMA. She later explored innovative printmaking, solidifying her legacy as a trailblazer in both mediums.
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