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Monika Sosnowska

           “her objects and installations occupy a far more interesting conceptual space than that of art history, referencing and critiquing Modernism’s most utilitarian manifestations – mid-century Brutalist architecture” — Kay Whitney on Monika Sosnowska in Sculpture Magazine

Feature 3 image Portrait by Darko Todorovic

           “her objects and installations occupy a far more interesting conceptual space than that of art history, referencing and critiquing Modernism’s most utilitarian manifestations – mid-century Brutalist architecture” — Kay Whitney on Monika Sosnowska in Sculpture Magazine

Sign up for more Monika Sosnowska

Monika Sosnowska's practice takes inspiration from architecture and her experience of structural change in various Eastern European cities.

           Monika Sosnowska (b. 1972, Ryki) lives and works in Warsaw. Her practice takes inspiration from architectural entropy, rooted in her experience of structural change in various Eastern European cities. She has a longstanding interest in Modernist architecture and its structural and systemic failings as associated with the Fall of Communism. The defunct forms of post-industrial buildings have long informed the artist’s warped and distorted sculptures, in particular, her engagement with ideas of collapse – materially and conceptually.

           Her work was recently the subject of a solo survey show at Zentrum Paul Klee, Bern, (2023), and she has also presented solo projects at Indianapolis Museum of Art (2016) and Aspen Art Museum (2013). Sosnowska represented Poland in the 52nd Venice Biennale in 2007 and has presented her work in the Biennale’s Arsenale exhibition (2011, 2003).

Artist CV

Recent career event

Her work was recently the subject of a solo survey show at Zentrum Paul Klee, Bern 2023.

Solo shows

She has had solo exhibitions at Serpentine Galleries (London, 2004), Freud Museum (Vienna, 2005), Museum of Modern Art (New York, 2006), Sprengel Museum (Hanover, 2006), Schaulager (Basel, 2008), Herzliya Museum of Contemporary Art (Israel, 2010), Tamayo Museum (Mexico, 2011), Aspen Art Museum (USA, 2013), Serralves Museum (Porto, 2015), and Muzeum Susch (Switzerland, permanent installation from 2017).

Commissions

She has completed numerous public art commissions including: FIR TREE, Public Art Fund, New York (2012) and The Wind House, Primrose Hill, Camden (2008).

IN
FOCUS

IN FOCUS

           Delve into Monika Sosnowska's innovative use of architectural elements. Read more

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           Delve into Monika Sosnowska's innovative use of architectural elements. Read more
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IN
COLLABORATION

           The Wrong Shop has partnered with renowned, Glasgow-based gallery The Modern Institute to bring forth a dynamic and varied collection by 9 artists. Read more

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           The Wrong Shop has partnered with renowned, Glasgow-based gallery The Modern Institute to bring forth a dynamic and varied collection by 9 artists. Read more

EXHIBITION
VIEW

Exhibition View

           Curator Heather Pesanti discusses Monika's 2017 exhibition, video courtesy of Hauser & Wirth Los Angeles

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           Curator Heather Pesanti discusses Monika's 2017 exhibition, video courtesy of Hauser & Wirth Los Angeles
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