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Richard Woods
House 675 × 675 mm (Size A)
Description
Richard Woods presents a new series. Working directly with the structure of the grid, Woods reduces each subject to blocks of vivid colour and strong black outlines. The precision of the graph paper contrasts with the hand-drawn irregularity of each work, giving the series a playful and distinctly graphic character.
Artist information
Product details
Poster size: 675 × 675 mm
Framed poster size: 700 × 700 × 22 mm
Printing: Printed on premium 200gsm enhanced matte fine art paper, featuring a smooth texture and natural white tone. Our museum-quality giclée printing process uses 12-colour archival pigment inks to produce exceptional accuracy, rich colour depth and beautifully smooth gradients. The super accurate printing delivers long-lasting brilliance and excellent resistance to fading when displayed indoors.
Shipping
UK Standard Delivery: 2-3 Working Days
Unframed Poster Delivery: £6.50
Free UK standard delivery on all frames and all orders of £150 or more.
Read more about delivery and shipping here.
Unframed Poster Delivery: £6.50
Free UK standard delivery on all frames and all orders of £150 or more.
Read more about delivery and shipping here.
All import taxes + duties are included at checkout
We offer easy returns
Sign up to get 10% off your first order
“I like the journey where art and design and crafts all meet" – Richard Woods
About the artist
Richard
Woods
Richard Woods, a British contemporary artist known for his bold installations and sculptures. His playful, graphic interpretations of woodgrain, bricks, and mock-Tudor designs challenge our obsession with home improvement. Based in Hackney, Woods’ work blends humour with socio-economic commentary, gaining him recognition since the 1990s YBA scene.
Learn more
Photograph by Ali Tollervey
Richard Woods, a British contemporary artist known for his bold installations and sculptures. His playful, graphic interpretations of woodgrain, bricks, and mock-Tudor designs challenge our obsession with home improvement. Based in Hackney, Woods’ work blends humour with socio-economic commentary, gaining him recognition since the 1990s YBA scene.
Learn more
Nishant Choksi's work is known for its unique blend of humor and sharp social commentary. It is playful yet thought-provoking, encouraging viewers to reflect on modern life and the absurdities of societal norms, politics, and human behavior. This makes his work resonate across various audiences.
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Philippe Weisbecker's work has been featured in some of the most prestigious publications, including The New York Times, Forbes, GQ and The New Yorker, and he is currently collaborating on inspiring projects with global design brands.
Bold and witty, Richard Woods' work is instantly identifiable. The British artist first gained recognition in the 1990s and is known for creating remarkable installations and sculptures that mimic the aesthetics of traditional architecture.
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To find a matching Wrong Shop poster simply go to the poster product page and select 'Unframed poster + hanging kit'.
A self-confessed textile nerd, Dutch creative Bertjan Pot is well known for his ropemasks, lighting, baskets, and rugs which reflect his experimental techniques. His colourful signature style has seen him collaborate with iconic brands such as Cassina, Febrik, Moooi and Nike.
Michael Wilkinson's work examines the aesthetics of political and social expression. Inspired by pop culture, art history, and anarchy, Wilkinson consistently revisits moments of resistance, protest and upheaval. Through his meditative, meticulous approach to making, Wilkinson seeks to ‘unbuild’ and reimagine various prescribed readings of history.
Duggie Fields was a consistent figure in London’s LGBTQ art community, alongside Andrew Logan, Derek Jarman, and Divine. His body of work is defined by a signature form of maximalist figuration – marrying imagery from classical and popular culture with art historical references from Surrealism to Modernism.
Kim Fisher works across photography, printmaking and installation, responding to her adopted city of Los Angeles – tracking its culture, weather, and architecture, as well as their disorienting effects. Collage is key part of her process, and she uses sources ranging from her own photographs to clippings from newspapers and magazines.
Sue Tompkins' practice is rooted language – in the formation of words, the use of speech and voice, and various forms of personal expression. Tompkins has explored this territory through live performance, text-based works, sound, installation and paintings. In these, fragments of conversation and everyday phrases are distorted and re-arranged.
Tony Swain alters, merges, and obscures printed pictures with paint, using newspaper imagery as a stimulus for his work – its inclusion a mixture of conscious selection and contingency. His collaging and painting are intuitive, and he creates mythical landscapes, cityscapes, and interiors from his factual sources.
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Dirk Bell's practice questions our attempts to make sense of the belief systems and structures that control our world. The artist employs a variety of linguistic signs across drawing, painting, and sculpture in his arresting multimedia installations, often reflecting on the relationship between civilisation and human nature.
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Josef Albers (1888-1976) was one of the most pioneering artists of the 20th century. A key Bauhaus figure, he studied and taught there for over a decade. His teachings continue to shape art education, and his revolutionary book 'Interaction of Color' is as relevant today as it was when it was first published in 1963. His 'Homage to the Square' series, begun in 1950 and comprising over two thousand paintings, remains his most influential.
Anni Albers (1899-1994) was one of the most influential textile artists and designers of the 20th century. She started her career at the Bauhaus, where she redefined weaving – combining an ancient craft with the language of modern art. In 1949, she became the first woman and the first textile artist to have a solo exhibition at MoMA. She later explored innovative printmaking, solidifying her legacy as a trailblazer in both mediums.
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