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On the Wilds of Creativity: Ronan Bouroullec and HOMME PLISSÉ ISSEY MIYAKE

A dynamic collaboration at the intersection of art and fashion

Ronan Bouroullec, a renowned French designer and artist, has once again pushed the boundaries of creative expression. His latest collaboration with the high-concept fashion brand HOMME PLISSÉ ISSEY MIYAKE showcases a unique fusion of art and fashion. First unveiled during Paris Fashion Week Menswear Fall/Winter 2024 at Palais de Tokyo, this collection, titled "On the Wilds of Creativity," represents a dynamic intersection of Ronan's distinctive drawings and Issey Miyake's innovative design ethos.

Ronan's body of work, specifically his abstract drawings, have been a source of inspiration across various creative fields. These drawings, which feature in the Wrong Shop poster range, are characterised by their intricate pen strokes, vibrant colours, and fluid forms. In this collaboration, Ronan's drawings are not merely presented as standalone art but are integrated into the very fabric of the garments, transforming them into wearable art.

Drawing 15, Ronan Bouroullec

The collaboration began with an immersive creative session where the design team of HOMME PLISSÉ ISSEY MIYAKE delved into Ronan Bouroullec’s artistic world, fostering a unique dialogue between the drawings and the clothing. By treating the work as a foundational element rather than a mere reference, the team created a collection that is both innovative and deeply connected to its source material.

HOMME PLISSÉ ISSEY MIYAKE is a brand where tradition meets innovation. Known for its experimentation with pleated fabrics, the label has gained a formidable reputation among fashion enthusiasts globally. The brand's approach is rooted in the legacy of the iconic Japanese designer Issey Miyake, whose pioneering work with pleats has redefined contemporary fashion. This collection continues that tradition, blending the classic pleat with Ronan Bouroullec’s modern artistic vision.

The HOMME PLISSÉ ISSEY MIYAKE AW24 collection features a range of garments, and key items include coats that convert into cushions and scarves that can be worn as hats, each piece a testament to the playful yet meticulous design process. The collection highlights the fluidity of Ronan Bouroullec’s strokes through colours, forms, and movements, seamlessly integrating them into the brand’s iconic pleats.

A video accompanying the collection reveals the intricate making process, capturing the dialogue between Bouroullec’s drawings and the garment creation. This behind-the-scenes look showcases how the creative session fostered a new form of group participation. The translation of his vivid strokes into knitted fabrics, dynamic patterns, delicate embroidery, and organic silhouettes breathes life into the garments, enveloping the models in art.


To further celebrate this collaboration, special exhibitions showcasing the garments and drawings will be held in Japan. These exhibitions will be displayed at ISSEY MIYAKE GINZA|CUBE from 1 July to 28 August 2024, and at ISSEY MIYAKE SEMBA|CREATION SPACE from 1 July to 26 August 2024. Visitors will have the opportunity to experience firsthand the harmonious blend of art and fashion.

The collaboration between Ronan Bouroullec and HOMME PLISSÉ ISSEY MIYAKE challenges traditional boundaries and invites a new form of creative exploration. We encourage you to explore this remarkable collection and browse Ronan Bouroullec's drawings for the Wrong Shop here.

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Artist and designer Ronan Bouroullec is a powerhouse of design. Notable for his architectural interventions, experimental objects and colourful abstract forms. His work is held in coveted permanent collections and he has collaborated with iconic brands such as Vitra, Hay, Flos, and Kvadrat.
World renowned artist, designer and tech subverter Erwan Bouroullec's work bridges both art and design. His diverse practice explores coding and computer algorithms to create unique digital drawings. His collaborative designs have seen him work with brands such as Vitra, Established & Sons and Kvadrat.
Brothers Ronan and Erwan Bouroullec live and work in Paris. Their oeuvre ranges from small everyday objects to architectural projects, furniture and drawings. For over two decades, the acclaimed duo have co-created iconic designs for major brands and their work is held in some of the world’s most coveted permanent collections.
Amsterdam-based designer and illustrator Rop van Mierlo's peculiar works feature untameable creatures. His signature dreamlike style has seen him collaborate with recognisable brands such as Maison Kitsuné Paris, Moncler and Hermès.
Visual artist Pierre Charpin balances colour, line, form and space in rhythmic, expressive compositions. Explore his minimalist aesthetic, and striking monochromatic prints. Known for his collaborations with recognisable brands such as Hermès, Hay and Saint-Louis Crystal to name a few.
Iconic artist and designer Nathalie Du Pasquier was a founding member of the Memphis group and ever since, she’s been an unstoppable force in shaping the design world as we know it. Her multifaceted practice has seen her work with the likes of American Apparel, Hermès, Bitossi and Mutina.
Gijs Frieling and Job Wouters, known collectively as FreelingWaters, work between illustration, painting, graphic design and furniture design to achieve a colourful and psychedelic aesthetic. Their debut collection premiered at London Design Week and Design Miami/Shanghai in the autumn of 2021 and ever since, they've worked on commissions for Elle Decor and fashion designer Dries van Noten, to art gallery The Future Perfect and more.
Working in the boundaries between art, decoration and design, Jaime Hayon's creations for are full of optimism and show his limitless imagination. ⁠His work can be seen in public spaces and as part of leading hotels worldwide, as well as making creations with brands such as Zara, Swarovski, Cartier, &Tradition and Cassina.
Renowned artist, writer and publisher, Canadian-born Leanne Shapton is now based in NYC. She is Art Editor of The New York Review of Books, and her illustrations have previously explored themes, such as swimming pools, women’s fashion, and floral forms.
George Sowden is a designer living and working in Milan and founding member of the Memphis Group. A designer for Swatch, Alessi, Guzzini, Moulinex and Steelcase among others. In recent years he started his own company, Sowden, and designed and produced a collection of items for Hay.
Philippe Weisbecker's work has been featured in some of the most prestigious publications, including The New York Times, Forbes, GQ and The New Yorker, and he is currently collaborating on inspiring projects with global design brands.
Bold and witty, Richard Woods' work is instantly identifiable. The British artist first gained recognition in the 1990s and is known for creating remarkable installations and sculptures that mimic the aesthetics of traditional architecture.
Part illustration, graffiti and calligraphy, Job Wouters mixes them all together to create powerful and vivid visuals. Over the last decade, he has worked for commissioners such as The New York Times, Süddeutsche Zeitung, Stussy, Nike and Universal.
British designer Bethan Laura Wood's colourful approach has seen her work with a wide range of companies, including Valextra, Kvadrat, CC-Tapis and Dior. Her work has been exhibited in galleries and museums around the world, including the Victoria and Albert Museum, Swiss Institute, Contemporary Art, MOT, Tokyo and the Design Museum, London.
To find a matching Wrong Shop poster simply go to the poster product page and select 'Unframed poster + hanging kit'.
A self-confessed textile nerd, Dutch creative Bertjan Pot is well known for his ropemasks, lighting, baskets, and rugs which reflect his experimental techniques. His colourful signature style has seen him collaborate with iconic brands such as Cassina, Febrik, Moooi and Nike.
Michael Wilkinson's work examines the aesthetics of political and social expression. Inspired by pop culture, art history, and anarchy, Wilkinson consistently revisits moments of resistance, protest and upheaval. Through his meditative, meticulous approach to making, Wilkinson seeks to ‘unbuild’ and reimagine various prescribed readings of history.
Duggie Fields was a consistent figure in London’s LGBTQ art community, alongside Andrew Logan, Derek Jarman, and Divine. His body of work is defined by a signature form of maximalist figuration – marrying imagery from classical and popular culture with art historical references from Surrealism to Modernism.
Kim Fisher works across photography, printmaking and installation, responding to her adopted city of Los Angeles – tracking its culture, weather, and architecture, as well as their disorienting effects. Collage is key part of her process, and she uses sources ranging from her own photographs to clippings from newspapers and magazines.
Sue Tompkins' practice is rooted language – in the formation of words, the use of speech and voice, and various forms of personal expression. Tompkins has explored this territory through live performance, text-based works, sound, installation and paintings. In these, fragments of conversation and everyday phrases are distorted and re-arranged.
Tony Swain alters, merges, and obscures printed pictures with paint, using newspaper imagery as a stimulus for his work – its inclusion a mixture of conscious selection and contingency. His collaging and painting are intuitive, and he creates mythical landscapes, cityscapes, and interiors from his factual sources.
Monika Sosnowska's practice takes inspiration from architectural entropy, rooted in her experience of structural change in various Eastern European cities. The defunct forms of post-industrial buildings have long informed the artist’s warped and distorted sculptures, in particular, her engagement with ideas of collapse – materially and conceptually.
Martin Boyce's poetic installations comprise a vocabulary of images, typography and interconnected forms which emerge across his sculptures, wall paintings, and photography. Collectively, these conjure liminal spaces which explore the aesthetic and political legacy of Modernism, the collapse of nature and culture, and the boundary between the real and fictional.
Lisa Alvarado's practice is rooted in her knowledge of Mexican American textile and mural painting traditions. Alvarado’s free-hanging works are considered orchestrations, exploring visual and sonic resonance, as well as quotidian rhythms – the transition from day to night, the drawing of breath in and out of the body.
Dirk Bell's practice questions our attempts to make sense of the belief systems and structures that control our world. The artist employs a variety of linguistic signs across drawing, painting, and sculpture in his arresting multimedia installations, often reflecting on the relationship between civilisation and human nature.
Amelia Humber lives and works in East London. Although geographically distant from the rural landscapes that fuel her work, Amelia journeys across the UK and absorbs the essence of her surroundings. Her work decompresses the mind, and gives the viewer a space to dream.
Martin Parr is one of the best-known documentary photographers and photojournalist of his generation. Known for his satirical and anthropological approach to modern life. A Magnum Photos member since 1994, his work explores global cultural peculiarities with vivid colour and ironic compositions. Themes of leisure, consumption, and communication, run throughout his photos.