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Trade Terms

Need help? Email us on
support@thewrongshop.co.uk
FAQs

Trade Terms and Conditions of Sale

1. About Us

The Wrong Shop Ltd ("The Wrong Shop", "we", "us" or "our") is registered in England and Wales (Company No. 8200866).

Registered Office:
The Wrong Shop Ltd
33 Lauriston Road
London
E9 7EY
United Kingdom

These Terms apply to all wholesale, retail, gallery, museum and commercial customers purchasing products for resale or commercial use. Trade enquiries: trade@thewrongshop.co.uk.

2. Trade Accounts

Trade accounts are offered at our discretion. We may approve, refuse, suspend or terminate any trade account where reasonably necessary.

3. Minimum Order Values

Minimum opening order: £500 / €500.
Minimum repeat order: £300 / €300.

The Wrong Shop reserves the right to amend minimum order values from time to time. Where reasonably practicable, customers will be given advance notice of any material changes.

4. Orders

Orders become binding only when accepted by The Wrong Shop. We reserve the right to refuse orders, limit quantities, discontinue products or amend specifications before acceptance.

5. Prices & Payment

Prices are exclusive of VAT unless stated otherwise. First orders are supplied on a pro-forma basis. Approved customers may be offered credit terms at our discretion. Late payment may incur interest in accordance with the Late Payment of Commercial Debts (Interest) Act 1998. Title to goods remains with The Wrong Shop until payment has been received in full.

6. Warehouses & Fulfilment

Products may be dispatched from either our UK or EU warehouse depending on the products ordered.

Selected poster products may be dispatched from our EU warehouse for customers located within the European Union.

The following products are dispatched from the United Kingdom:
• all self-fit frames;
• all bespoke framed products;
• all custom-framed artworks;
• all limited editions (rolled and framed); and
• selected poster products.

Orders containing products from multiple warehouses may arrive separately.

7. International Trade Deliveries

Trade orders are NOT shipped using a Delivered Duty Paid (DDP) service.

Unless otherwise agreed in writing, all international trade orders are supplied on terms where the customer is responsible for import duties, customs duties, import VAT, local taxes, brokerage fees, customs clearance charges and any other charges imposed by the destination country.

Customers are responsible for complying with all import requirements in the destination country.

8. Product Information

Images are illustrative only. Slight variations in colour, paper, trimming, dimensions, timber grain, finish, hand-finishing, deckled edges and visible paper margins are normal characteristics and do not constitute defects.

9. Third-Party Framing

Published artwork dimensions are provided as a guide only. Customers commissioning third-party framing should wait until artwork has been received and measured. The Wrong Shop accepts no responsibility for third-party framing commissioned before delivery or manufactured using assumed dimensions.

10. Delivery

Dispatch times are estimates only. Delays caused by artists, suppliers, customs authorities, carriers or events beyond our reasonable control shall not constitute a breach of contract.

11. Inspection & Claims

Trade customers must inspect all deliveries immediately. Visible shortages or transit damage must be reported within three working days together with photographs of the products and packaging. Claims submitted later may be declined where investigation is no longer reasonably possible.

12. Returns

Trade orders are excluded from the consumer returns policy. Returns are accepted only where products are faulty, incorrectly supplied or otherwise agreed in writing. Bespoke, made-to-order and custom-framed products are non-returnable unless faulty.

13. Customer Obligations

Trade customers must accurately credit both the artist and The Wrong Shop when promoting products. Products may not be sold through third-party marketplaces or supplied to further resellers without prior written consent from The Wrong Shop.

14. Intellectual Property

All artwork, photography, marketing assets, trademarks and other intellectual property remain the property of The Wrong Shop and/or its licensors and may only be used to promote genuine The Wrong Shop products.

15. Confidentiality

Trade pricing, commercial terms and confidential information supplied by The Wrong Shop must not be disclosed without prior written consent.

16. Limitation of Liability

Nothing in these Terms limits liability that cannot legally be excluded. Subject to applicable law, The Wrong Shop shall not be liable for indirect or consequential losses arising from the supply of Products.

17. Force Majeure

We shall not be liable for delays or failures caused by circumstances beyond our reasonable control including industrial action, transport disruption, customs delays, natural disasters or supplier failure.

18. Governing Law

These Terms are governed by the laws of England and Wales and the courts of England and Wales shall have exclusive jurisdiction unless otherwise required by law.

19. Contact

Trade enquiries:
trade@thewrongshop.co.uk

The Wrong Shop Ltd
33 Lauriston Road
London
E9 7EY
United Kingdom

Nishant Choksi's work is known for its unique blend of humor and sharp social commentary. It is playful yet thought-provoking, encouraging viewers to reflect on modern life and the absurdities of societal norms, politics, and human behavior. This makes his work resonate across various audiences.
Artist and designer Ronan Bouroullec is a powerhouse of design. Notable for his architectural interventions, experimental objects and colourful abstract forms. His work is held in coveted permanent collections and he has collaborated with iconic brands such as Vitra, Hay, Flos, and Kvadrat.
World renowned artist, designer and tech subverter Erwan Bouroullec's work bridges both art and design. His diverse practice explores coding and computer algorithms to create unique digital drawings. His collaborative designs have seen him work with brands such as Vitra, Established & Sons and Kvadrat.
Brothers Ronan and Erwan Bouroullec live and work in Paris. Their oeuvre ranges from small everyday objects to architectural projects, furniture and drawings. For over two decades, the acclaimed duo have co-created iconic designs for major brands and their work is held in some of the world’s most coveted permanent collections.
Amsterdam-based designer and illustrator Rop van Mierlo's peculiar works feature untameable creatures. His signature dreamlike style has seen him collaborate with recognisable brands such as Maison Kitsuné Paris, Moncler and Hermès.
Visual artist Pierre Charpin balances colour, line, form and space in rhythmic, expressive compositions. Explore his minimalist aesthetic, and striking monochromatic prints. Known for his collaborations with recognisable brands such as Hermès, Hay and Saint-Louis Crystal to name a few.
Iconic artist and designer Nathalie Du Pasquier was a founding member of the Memphis group and ever since, she’s been an unstoppable force in shaping the design world as we know it. Her multifaceted practice has seen her work with the likes of American Apparel, Hermès, Bitossi and Mutina.
Gijs Frieling and Job Wouters, known collectively as FreelingWaters, work between illustration, painting, graphic design and furniture design to achieve a colourful and psychedelic aesthetic. Their debut collection premiered at London Design Week and Design Miami/Shanghai in the autumn of 2021 and ever since, they've worked on commissions for Elle Decor and fashion designer Dries van Noten, to art gallery The Future Perfect and more.
Working in the boundaries between art, decoration and design, Jaime Hayon's creations for are full of optimism and show his limitless imagination. ⁠His work can be seen in public spaces and as part of leading hotels worldwide, as well as making creations with brands such as Zara, Swarovski, Cartier, &Tradition and Cassina.
Renowned artist, writer and publisher, Canadian-born Leanne Shapton is now based in NYC. She is Art Editor of The New York Review of Books, and her illustrations have previously explored themes, such as swimming pools, women’s fashion, and floral forms.
George Sowden is a designer living and working in Milan and founding member of the Memphis Group. A designer for Swatch, Alessi, Guzzini, Moulinex and Steelcase among others. In recent years he started his own company, Sowden, and designed and produced a collection of items for Hay.
Philippe Weisbecker's work has been featured in some of the most prestigious publications, including The New York Times, Forbes, GQ and The New Yorker, and he is currently collaborating on inspiring projects with global design brands.
Bold and witty, Richard Woods' work is instantly identifiable. The British artist first gained recognition in the 1990s and is known for creating remarkable installations and sculptures that mimic the aesthetics of traditional architecture.
Part illustration, graffiti and calligraphy, Job Wouters mixes them all together to create powerful and vivid visuals. Over the last decade, he has worked for commissioners such as The New York Times, Süddeutsche Zeitung, Stussy, Nike and Universal.
British designer Bethan Laura Wood's colourful approach has seen her work with a wide range of companies, including Valextra, Kvadrat, CC-Tapis and Dior. Her work has been exhibited in galleries and museums around the world, including the Victoria and Albert Museum, Swiss Institute, Contemporary Art, MOT, Tokyo and the Design Museum, London.
To find a matching Wrong Shop poster simply go to the poster product page and select 'Unframed poster + hanging kit'.
A self-confessed textile nerd, Dutch creative Bertjan Pot is well known for his ropemasks, lighting, baskets, and rugs which reflect his experimental techniques. His colourful signature style has seen him collaborate with iconic brands such as Cassina, Febrik, Moooi and Nike.
Michael Wilkinson's work examines the aesthetics of political and social expression. Inspired by pop culture, art history, and anarchy, Wilkinson consistently revisits moments of resistance, protest and upheaval. Through his meditative, meticulous approach to making, Wilkinson seeks to ‘unbuild’ and reimagine various prescribed readings of history.
Duggie Fields was a consistent figure in London’s LGBTQ art community, alongside Andrew Logan, Derek Jarman, and Divine. His body of work is defined by a signature form of maximalist figuration – marrying imagery from classical and popular culture with art historical references from Surrealism to Modernism.
Kim Fisher works across photography, printmaking and installation, responding to her adopted city of Los Angeles – tracking its culture, weather, and architecture, as well as their disorienting effects. Collage is key part of her process, and she uses sources ranging from her own photographs to clippings from newspapers and magazines.
Sue Tompkins' practice is rooted language – in the formation of words, the use of speech and voice, and various forms of personal expression. Tompkins has explored this territory through live performance, text-based works, sound, installation and paintings. In these, fragments of conversation and everyday phrases are distorted and re-arranged.
Tony Swain alters, merges, and obscures printed pictures with paint, using newspaper imagery as a stimulus for his work – its inclusion a mixture of conscious selection and contingency. His collaging and painting are intuitive, and he creates mythical landscapes, cityscapes, and interiors from his factual sources.
Monika Sosnowska's practice takes inspiration from architectural entropy, rooted in her experience of structural change in various Eastern European cities. The defunct forms of post-industrial buildings have long informed the artist’s warped and distorted sculptures, in particular, her engagement with ideas of collapse – materially and conceptually.
Martin Boyce's poetic installations comprise a vocabulary of images, typography and interconnected forms which emerge across his sculptures, wall paintings, and photography. Collectively, these conjure liminal spaces which explore the aesthetic and political legacy of Modernism, the collapse of nature and culture, and the boundary between the real and fictional.
Odili Donald Odita is an abstract painter based in Philadelphia. His work uses colour to explore identity, place and perception, drawing from African and Western traditions to create rhythmic compositions that transform architectural space. Through pattern, light and movement, Odita reflects on belonging, connection and the shared human experience.
Lisa Alvarado's practice is rooted in her knowledge of Mexican American textile and mural painting traditions. Alvarado’s free-hanging works are considered orchestrations, exploring visual and sonic resonance, as well as quotidian rhythms – the transition from day to night, the drawing of breath in and out of the body.
Dirk Bell's practice questions our attempts to make sense of the belief systems and structures that control our world. The artist employs a variety of linguistic signs across drawing, painting, and sculpture in his arresting multimedia installations, often reflecting on the relationship between civilisation and human nature.
Amelia Humber lives and works in East London. Although geographically distant from the rural landscapes that fuel her work, Amelia journeys across the UK and absorbs the essence of her surroundings. Her work decompresses the mind, and gives the viewer a space to dream.
Josef Albers (1888-1976) was one of the most pioneering artists of the 20th century. A key Bauhaus figure, he studied and taught there for over a decade. His teachings continue to shape art education, and his revolutionary book 'Interaction of Color' is as relevant today as it was when it was first published in 1963. His 'Homage to the Square' series, begun in 1950 and comprising over two thousand paintings, remains his most influential.
Anni Albers (1899-1994) was one of the most influential textile artists and designers of the 20th century. She started her career at the Bauhaus, where she redefined weaving – combining an ancient craft with the language of modern art. In 1949, she became the first woman and the first textile artist to have a solo exhibition at MoMA. She later explored innovative printmaking, solidifying her legacy as a trailblazer in both mediums.
Martin Parr is one of the best-known documentary photographers and photojournalist of his generation. Known for his satirical and anthropological approach to modern life. A Magnum Photos member since 1994, his work explores global cultural peculiarities with vivid colour and ironic compositions. Themes of leisure, consumption, and communication, run throughout his photos.