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Trade Terms

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Overview of Terms of Service for Trade Customers

If you would like to talk to us about becoming one of our exclusive retailers or wholesalers, please contact

1. Our contract with you

1.1 These are the terms and conditions (the “Terms”) on which we, Wrong Shop (“We”, “Us” and “Our”) supply any of Our products (the “Products”) detailed on Our website at (the “Site”) to you, in your capacity as a retailer, whether you operate your business via a physical retail shop or e-commerce website. The supply of Products to you is strictly for commercial or business use or resale.

1.2 These Terms will apply to any contract between Us for the sale of Products to you and replaces and supersedes any previous Terms. We reserve the right to revise these Terms from time to time. Every time you wish to order Products, please check these Terms to ensure you understand the terms which will apply at that time.

2. Ordering products

2.1 There is a minimum order quantity (“MOQ”) of £500 / €500 items for all Our Products. 

2.2 For reorders there is a minimum order quantity (“MOQ”) of £300 / €300 items. 

2.3 We reserve the right to introduce an MOQ without notice although We will endeavour to give notice of any proposed changes in this respect. 

2.4 All orders are created and should be paid pro-forma on the first order. Payment needs to be made by the due date on the invoice supplied. Failing to make payment on the required date might result in the termination of agreed terms.

2.5 Once your Invoice is paid, then your Products will be dispatched to you.

2.6 We may at Our sole discretion process an order for dispatch with repeat customers where terms of 30 days are given in order to pay the invoice. In such circumstances, this will be agreed in writing with Us in advance.

2.7 We reserve the right to refuse or decline any order at Our sole discretion.

3. Our warehouses

3.1 Once your Products are ready to be dispatched from either Our UK or EU warehouse, We will inform you with the existing established method of communication.

3.2 In the EU only: We dispatch Poster Products and natural oak Framed Poster Products only from Our warehouse in Rostock, Germany for EU trade customers. White obeche and black stained oak Framed Poster Products will be dispatched from the UK to the EU.

3.3 Rest of the world: We dispatch Poster Products, natural oak, white obeche and black stained oak Framed Poster Products from the UK to trade customers all over the world.

3.4 Our Rolled and Framed Limited Edition Products are only dispatched from the UK. If trade customers based in the EU order Limited Edition Products, these will be dispatched from the UK.

3.5 Orders to EU trade customers dispatched from the UK will be subject to import VAT that will need to be paid by the customer (usually through DHL or similar). We are informed that this import VAT should be reclaimable from your relevant tax authority however this is something the customer needs to confirm as this is neither something Wrong Shop controls or imposes.

3. Our products

3.1 Our Site is solely for the promotion of Our Products and the images of the Products on Our Site are for illustrative purposes only. Although We have made every effort to display the colours and print accurately, We cannot guarantee that your computer’s display of the colours accurately reflects the colour of the Products. The Products that you receive from Us may vary slightly from those images.

4. Delivery

4.1 Rolled Poster and Rolled Limited Edition Products will be dispatched within 1-2 weeks from invoice or order confirmation. Framed Poster and Framed Editions Products will be dispatched within 2-4 weeks.

4.2 After delivery, all orders need to be checked for accuracy and damage by you within three days. Any discrepancies and/or damage needs to be reported immediately. We can not accept claims after three days of delivery. We will require photographs of Products and their packaging as evidence, to be retained until notified by Us.

4.3 Purchases for trade clients are excluded from the Wrong Shop’s 30-day return policy, no such goods will be accepted for return unless faulty or damaged.

4.4 When customers arrange their own shipping, any damage within transit after leaving our warehouse is not covered by the Wrong Shop and should be undertaken at the sole risk of the customer.

5. Warranty

5.1 All goods supplied by The Wrong Shop are warranted free from defects for 12 months from the date of supply. This warranty does not affect your statutory rights as a consumer.

5.2 Any defects spotted need to be reported as soon as possible and evidence in the form or photographic evidence needs to be supplied within the claim email sent to

6. Your obligation to us

6.1 You agree that Our Products and artists are correct named and explicitly shown against any Wrong Shop item(s) on any platform including website, physical shop or social media

6.2 Our Products are acknowledged on social media using correct methods eg hashtags or ‘@‘ to Our brand, Wrong Shop, ie @thewrongshop #wrongshop

6.3 You agree that where you intend to sell any of Our Products to any third party, you shall:

  • not apply any discounts or sales unless agreed in writing in advance;
  • confirm to Us in writing the names of any businesses or individuals or other resellers who are intending to or will sell Our Products on to any third party and update Us as and when any new resellers place any orders or requests for Our Products with you. You require Our express permission to sell Our Products on any third party website or sales channels;
  • immediately cease to sell our Products to any resellers, businesses or individuals that We notify you not to sell Our Products to - for whatever reason and at Our sole discretion.

7. Intellectual property rights

Certain trademarks, trade names, service marks and logos used or displayed on the Site are Our registered trademarks, trade names and service marks.

The Site design and all intellectual property rights in the Site, including all text, graphics, information, content, blueprints, designs, drawings, specifications and other material displayed on or that can be downloaded from the Site are either the property of, or used with permission by Us and are protected by copyright, trademark and other laws.

These may not be reproduced, published, distributed, exhibited, modified or otherwise used any such materials for any public or commercial purpose, in whole or in part, except as provided for in these Terms. Unless you obtain the prior written consent from Us. All such rights are reserved. Therefore when using Our products and images, name Our brand (Wrong Shop).

Artist and designer Ronan Bouroullec is a powerhouse of design. Notable for his architectural interventions, experimental objects and colourful abstract forms. His work is held in coveted permanent collections and he has collaborated with iconic brands such as Vitra, Hay, Flos, and Kvadrat.
World renowned artist, designer and tech subverter Erwan Bouroullec's work bridges both art and design. His diverse practice explores coding and computer algorithms to create unique digital drawings. His collaborative designs have seen him work with brands such as Vitra, Established & Sons and Kvadrat.
Brothers Ronan and Erwan Bouroullec live and work in Paris. Their oeuvre ranges from small everyday objects to architectural projects, furniture and drawings. For over two decades, the acclaimed duo have co-created iconic designs for major brands and their work is held in some of the world’s most coveted permanent collections.
Amsterdam-based designer and illustrator Rop van Mierlo's peculiar works feature untameable creatures. His signature dreamlike style has seen him collaborate with recognisable brands such as Maison Kitsuné Paris, Moncler and Hermès.
Visual artist Pierre Charpin balances colour, line, form and space in rhythmic, expressive compositions. Explore his minimalist aesthetic, and striking monochromatic prints. Known for his collaborations with recognisable brands such as Hermès, Hay and Saint-Louis Crystal to name a few.
Iconic artist and designer Nathalie Du Pasquier was a founding member of the Memphis group and ever since, she’s been an unstoppable force in shaping the design world as we know it. Her multifaceted practice has seen her work with the likes of American Apparel, Hermès, Bitossi and Mutina.
Gijs Frieling and Job Wouters, known collectively as FreelingWaters, work between illustration, painting, graphic design and furniture design to achieve a colourful and psychedelic aesthetic. Their debut collection premiered at London Design Week and Design Miami/Shanghai in the autumn of 2021 and ever since, they've worked on commissions for Elle Decor and fashion designer Dries van Noten, to art gallery The Future Perfect and more.
Working in the boundaries between art, decoration and design, Jaime Hayon's creations for are full of optimism and show his limitless imagination. ⁠His work can be seen in public spaces and as part of leading hotels worldwide, as well as making creations with brands such as Zara, Swarovski, Cartier, &Tradition and Cassina.
Renowned artist, writer and publisher, Canadian-born Leanne Shapton is now based in NYC. She is Art Editor of The New York Review of Books, and her illustrations have previously explored themes, such as swimming pools, women’s fashion, and floral forms.
George Sowden is a designer living and working in Milan and founding member of the Memphis Group. A designer for Swatch, Alessi, Guzzini, Moulinex and Steelcase among others. In recent years he started his own company, Sowden, and designed and produced a collection of items for Hay.
Philippe Weisbecker's work has been featured in some of the most prestigious publications, including The New York Times, Forbes, GQ and The New Yorker, and he is currently collaborating on inspiring projects with global design brands.
Bold and witty, Richard Woods' work is instantly identifiable. The British artist first gained recognition in the 1990s and is known for creating remarkable installations and sculptures that mimic the aesthetics of traditional architecture.
Part illustration, graffiti and calligraphy, Job Wouters mixes them all together to create powerful and vivid visuals. Over the last decade, he has worked for commissioners such as The New York Times, Süddeutsche Zeitung, Stussy, Nike and Universal.
British designer Bethan Laura Wood's colourful approach has seen her work with a wide range of companies, including Valextra, Kvadrat, CC-Tapis and Dior. Her work has been exhibited in galleries and museums around the world, including the Victoria and Albert Museum, Swiss Institute, Contemporary Art, MOT, Tokyo and the Design Museum, London.
To find a matching Wrong Shop poster simply go to the poster product page and select 'Unframed poster + hanging kit'.
A self-confessed textile nerd, Dutch creative Bertjan Pot is well known for his ropemasks, lighting, baskets, and rugs which reflect his experimental techniques. His colourful signature style has seen him collaborate with iconic brands such as Cassina, Febrik, Moooi and Nike.
Michael Wilkinson's work examines the aesthetics of political and social expression. Inspired by pop culture, art history, and anarchy, Wilkinson consistently revisits moments of resistance, protest and upheaval. Through his meditative, meticulous approach to making, Wilkinson seeks to ‘unbuild’ and reimagine various prescribed readings of history.
Duggie Fields was a consistent figure in London’s LGBTQ art community, alongside Andrew Logan, Derek Jarman, and Divine. His body of work is defined by a signature form of maximalist figuration – marrying imagery from classical and popular culture with art historical references from Surrealism to Modernism.
Kim Fisher works across photography, printmaking and installation, responding to her adopted city of Los Angeles – tracking its culture, weather, and architecture, as well as their disorienting effects. Collage is key part of her process, and she uses sources ranging from her own photographs to clippings from newspapers and magazines.
Sue Tompkins' practice is rooted language – in the formation of words, the use of speech and voice, and various forms of personal expression. Tompkins has explored this territory through live performance, text-based works, sound, installation and paintings. In these, fragments of conversation and everyday phrases are distorted and re-arranged.
Tony Swain alters, merges, and obscures printed pictures with paint, using newspaper imagery as a stimulus for his work – its inclusion a mixture of conscious selection and contingency. His collaging and painting are intuitive, and he creates mythical landscapes, cityscapes, and interiors from his factual sources.
Monika Sosnowska's practice takes inspiration from architectural entropy, rooted in her experience of structural change in various Eastern European cities. The defunct forms of post-industrial buildings have long informed the artist’s warped and distorted sculptures, in particular, her engagement with ideas of collapse – materially and conceptually.
Martin Boyce's poetic installations comprise a vocabulary of images, typography and interconnected forms which emerge across his sculptures, wall paintings, and photography. Collectively, these conjure liminal spaces which explore the aesthetic and political legacy of Modernism, the collapse of nature and culture, and the boundary between the real and fictional.
Lisa Alvarado's practice is rooted in her knowledge of Mexican American textile and mural painting traditions. Alvarado’s free-hanging works are considered orchestrations, exploring visual and sonic resonance, as well as quotidian rhythms – the transition from day to night, the drawing of breath in and out of the body.
Dirk Bell's practice questions our attempts to make sense of the belief systems and structures that control our world. The artist employs a variety of linguistic signs across drawing, painting, and sculpture in his arresting multimedia installations, often reflecting on the relationship between civilisation and human nature.
Amelia Humber lives and works in East London. Although geographically distant from the rural landscapes that fuel her work, Amelia journeys across the UK and absorbs the essence of her surroundings. Her work decompresses the mind, and gives the viewer a space to dream.
Martin Parr is one of the best-known documentary photographers and photojournalist of his generation. Known for his satirical and anthropological approach to modern life. A Magnum Photos member since 1994, his work explores global cultural peculiarities with vivid colour and ironic compositions. Themes of leisure, consumption, and communication, run throughout his photos.